Friday, 21 March 2014

CR April: the photography issue

Our April issue is a photography special. In it we talk to photographer Nadav Kander abourt his new TV ad for Age UK; discuss the enduring appeal of Henri Cartier-Bresson’s work with the curator behind a new retrospective; and also talk to four photographer’s agents about how they help their artists to make great work…

We also look at how the GoPro camera sells itself and how and Getty are to change the perception of women in stock photography.

The April issue of Creative Review will be available to buy direct from us here. Better yet, subscribe to make sure that you never miss out on a copy – you’ll save money, too. Details here.

On top of all that we talk to the client, agency and packaging designers behind the Marmite brand and have reviews of the Richard Hamilton exhibition at Tate Modern, the Muriel Cooper retrospective in New York, and Cape Town’s Design Indaba. At the back of the issue, Paul Belford wonders why it is so difficult to make a great poster for an exhibition.

Opening the issue, our Month in Review section looks at the controversy surrounding the new identity for the city of Amsterdam; spotlights an inventive digital subway poster from Swedish agency Akestam Holst; and examines the story behind the creation of the ‘ultimate selfie’ at this year’s Oscars.

In the columns, Gordon Comstock bemoans the lack of time for outside artistic projects in today’s ad agency culture; Michael Evamy looks at the new ‘inflatable’ identity for Darling Harbour in Sydney; while Daniel Benneworth-Gray dismisses the old ‘work/life balance’ adage in favour of embracing the fact that, as a designer, he has little need for other hobbies.

We also talk to Dave Sedgwick, the founder of the BCNMCR initiative that is bringing designers from Barcelona and Manchester together for another exhibition (work from which appears in this month’s Monograph, see bottom of post).

The features open with our photographer’s agent round-table – Mark Sinclair grills four of the best about just what their multifaceted job entails and how they help to get the best work out of the artists on their books. Plenty of advice for new photographers, too.

Eliza Williams talks to Nadav Kander about his work on a new commercial for Age UK featuring models aged between 0 and 100 – a behind the scenes shot by Calum Head also features on this issue’s cover (see top).

Jean Grogan interviews Clément Chéroux, the curator of a new exhibition on the work of legendary photographer, Henri Cartier-Bresson.

And Rachel Steven talks to CR readers about their experience of the GoPro camera, and looks at some of the brand’s forays into content marketing via video sites and social media.

Antonia Wilson looks at a new initiative from Getty and which aims to shift the ways in which women are portrayed in stock imagery.

And we also look at stock trends from the last 12 months – Shutterstock delve into their data to tell us what you’ve been looking for on their website.

In Crit, Adrian Shaughnessy enjoys a detailed retrospective in New York on the work of pioneering US designer Muriel Cooper…

And Rick Poynor takes in two London exhibitions dedicated to the work of British artist Richard Hamilton. Rachel Steven also reports back from Design Indaba in Cape Town.

Finally, this month’s Monograph (spreads shown below) features a selection of the artwork produced for the BCNMCR show, bringing together the work of design studios from Barcelona and Manchester, which opens next week.

The April issue of Creative Review will be available to buy direct from us here. Better yet, subscribe to make sure that you never miss out on a copy – you’ll save money, too. Details here.

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