TORONTO, Aug. 27, 2013 — Jury selects 4 superb photographer finalists; open opinion for
$50,000 Prize starts today
TORONTO, Aug. 27, 2013 /CNW Telbec/ – Aimia, a tellurian personality in faithfulness management, and a Art Gallery of Ontario (AGO) announce a 4 artists who have been shortlisted for a Aimia | AGO Photography Prize, Canada’s heading general contemporary photography award. The
winner of a $50,000 Prize is comparison wholly by open vote, and
online voting opens currently during AimiaAGOPhotographyPrize.com and, for a initial time, on a Prize’s Facebook page. Visitors to a AGO can also expel a opinion inside a Aimia | AGO Photography Prize 2013 Exhibition, on perspective during a AGO from Sept. 11, 2013 to Jan. 5, 2014.
The finalists are: Edgardo Aragón (Mexico), LaToya Ruby Frazier (U.S.A), Chino Otsuka (Japan/U.K) and Erin Shirreff (Canada). As a group, these 4 artists paint a picture of
current directions in photography and video, in that images are used
to build powerful, formidable and mostly personal narratives.
Edgardo Aragón was innate in Mexico, and his work invites thoughtfulness on a story of
violence in his homeland. Deeply intent with domestic and social
histories of Oaxaca, a range where he was innate and still lives,
his video and photography mostly request opening and sculptural
interventions opposite landscapes that seem during once relaxed and
foreboding. His work has been a theme of solo exhibitions at
institutions including Museo Universitario de Arte Contemporaneo
(MUAC), Mexico City; MoMA P.S.1, New York; and a Luckman Gallery, Los
Angeles.Â
LaToya Ruby Frazier was innate and lifted in Braddock, Pennsylvania. Her work is sensitive by
late 19th- and early 20th-century modes of illustration in
documentary practice. She uses a conventions of amicable documentary
and portraiture to display infinite stories of post-industrial decrease in
the United States, filtered by a practice of her possess family
and village in Braddock. Her work has been shown during a Brooklyn
Museum; a Whitney Museum of American Art; MoMA PS1;Â and a New
Museum of Contemporary Art, among others. In 2012 Frazier was appointed
critic in photography during Yale University.
Chino Otsuka was innate in Tokyo, Japan, and changed to a U.K. during a age of 10 to
attend school. Often mining her possess autobiography, Otsuka uses
photography and video to try a liquid attribute between memory,
time and photography. She has also published 4 books in Japan as a
writer and published her initial autobiographical book during a age of 15.
Her works are found in open collections including National Media
Museum, U.K., Wilson Centre for Photography, U.K., Los Angeles County
Museum of Art, Huis Marseille Museum for Photography and Tokyo
Metropolitan Museum of Photography.Â
Erin Shirreff was innate in 1975 in Kelowna, B.C., and now lives and works in New York.
Her work interweaves photography, video and sculpture to extend and
explore a act of looking, seeking questions about a often
paradoxical attribute between time and space and a image, and the
impact of notice on a plcae of meaning. Recently her work has
been a theme of solo exhibitions during a Contemporary Art Gallery,
Vancouver, B.C.; White Cube, London, U.K.; Agnes Etherington Art
Centre, Kingston, Ont. Her work is also in a collections of the
Solomon R. Guggenheim Museum; a Museum of Fine Arts, Houston; and the
Metropolitan Museum of Art, among others.
A jury of three—made adult of lead juror Elizabeth Smith, former AGO executive executive of curatorial affairs and current
executive executive of a Helen Frankenthaler Foundation in New York; Urs Stahel, director, curator, and editor of Fotomuseum Winterthur; and artist Kader Attia—selected a 4 finalists from a prolonged list of 14.
“The jurors were gay with a strength and farrago of the
long-listed artists,” conspicuous Smith. “In selecting a 4 finalists, we
responded most to qualities that done a work fresh, absolute and
original in some way. We looked for strength, conformity and
consistency in the interplay of imagery and calm and comparison the
artists whose work done a many conspicuous impact on all of us.”Â
These artists will accept a entirely saved six-week residency in Canada
next year, and their work will be exhibited during a AGO commencement Sept.11, 2013. A giveaway open launch celebration will be hold during a AGO that night, with
presentations by nominators and members of a jury about any of the
four artists. The following evening, Sept. 12, 2013 during 7 p.m., a four
artists will pronounce during a special row eventuality during a AGO alongside Smith; AGO associate curator of photography Sophie Hackett; and nominators Jennifer Blessing, comparison curator of photography during The Guggenheim; and Helga Pakasaar, curator during Presentation House Gallery, Vancouver. Tickets to a eventuality are accessible now.
The personality will accept $50,000 CDN and a 3 remaining finalists
will any accept a money endowment of $5,000 CDN. Online voting begins
today during AimiaAGOPhotographyPrize.com and is open until 11:59 p.m. on Nov. 5, 2013. For a initial time, electorate can also make their choice around Facebook during Facebook.com/AimiaAGOPhotographyPrize. Users who opinion on Facebook can also enter for a possibility to win a trip
to a personality proclamation eventuality on Nov. 7, 2013, at a AGO’s renouned First Thursdays art party.
Previous winners of a Prize, before patrician The Grange Prize, include
British photographer Jo Longhurst (2012), Gauri Gill of India (2011),
Canadian photographer Kristan Horton (2010), Marco Antonio Cruz of
Mexico (2009) and Canadian photographer Sarah Anne Johnson (2008).
For updates on a Prize, serve sum on a shortlisted artists and
additional information, greatfully revisit AimiaAGOPhotographyPrize.com and follow @AimiaAGOPrize on Twitter.
ARTISTS: IN THEIR OWN WORDS
“One of a approaches we use to routine what is function around me is
to use art as a apparatus for bargain a world.” – Edgardo Aragón
“Relentlessly documenting encounters with Grandma Ruby (b.1925-2009),
Mom (b.1959) and myself (b.1982) enables me to mangle unspoken
intergenerational cycles. We are wrestling with internalized life
experiences, perceptions of our-selves and patrimonial personas developed
by sociopolitical baggage.” – LaToya Ruby Frazier
“The digital routine becomes a tool, roughly like a time machine, as I’m
embarking on a tour to where we once belonged and during a same time
becoming a traveller in my possess history.” – Chino Otsuka
“Photographs work in dual ways: they solidify a specific moment, though then
are carried brazen in time and accumulate these opposite meanings and
relationships. we consider in some psychological clarity that duality mimics
an knowledge we have of myself, my physique – of being both in time and
somehow outward of it.” – Erin Shirreff
View videos of a finalists and continue a review during www.AimiaAGOPhotographyPrize.com.
ABOUT THE AIMIA | AGO PHOTOGRAPHY PRIZEÂ
The Aimia | AGO Photography Prize is Canada’s heading photography prize
and one of a largest humanities and enlightenment esteem programs in a world.
The esteem awards some-more than $85,000 directly to artists operative in
photography any year, and is comprised of an annual muster during the
Art Gallery of Ontario, an online muster at
AimiaAGOPhotographyPrize.com, general artist residencies, public
programming, as good as an endless inhabitant grant program.
ABOUT AIMIA
Aimia, a tellurian personality in faithfulness management, has singular capabilities
and proven imagination in delivering exclusive faithfulness services,
launching and handling bloc faithfulness programs, formulating value
through faithfulness analytics and pushing creation in a emerging
digital and mobile spaces. In Canada, Aimia owns and operates Aeroplan,
Canada’s premier bloc faithfulness program, as good as a proprietary
loyalty multiplication that designs, launches and operates new client
programs. Aimia also offers world-class information analytics by its
Intelligent Shoppers Solutions suite of collection and has a minority
position in Cardlytics, a colonize of transaction-driven selling in
banking. For some-more information, greatfully visit: www.aimia.com.
ABOUT THE AGO
With a collection of some-more than 80,000 works of art, a Art Gallery of Ontario is among a many renowned art museums in North America. From the
vast physique of Group of Seven and signature Canadian works to a African
art gallery, from a cutting-edge contemporary art to Peter Paul
Rubens’ masterpiece The Massacre of The Innocents, a AGO offers an implausible art knowledge with any visit. In 2002
Kenneth Thomson’s inexhaustible present of 2,000 conspicuous works of Canadian
and European art inspired Transformation AGO, an innovative
architectural enlargement by world-renowned designer Frank Gehry that in
2008 resulted in one of a many critically acclaimed architectural
achievements in North America. Highlights embody Galleria Italia, a
gleaming showcase of timber and potion using a length of an entire
city block, and a often-photographed turn staircase, beckoning
visitors to explore. The AGO has an active membership module offering
great value, and a AGO’s Weston Family Learning Centre offers
engaging art and artistic programs for children, families, girl and
adults. Visit ago.net to find out some-more about arriving special exhibitions, to learn about
eating and selling during a AGO, to register for programs and to buy
tickets or memberships.Â
The Art Gallery of Ontario is saved in partial by a Ontario Ministry of
Tourism, Culture and Sport. Additional handling support is received
from a City of Toronto, a Canada Council for a Arts and generous
contributions from AGO members, donors and private-sector partners.
The AGO acknowledges a inexhaustible support of Aimia, Signature Partner of a Photography Collection Program and Founding
Partner of a Aimia | AGO Photography Prize.
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Aimia | AGO Photography Prize Announces 2013 Short List
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