Thursday, 31 October 2013

Turner students arrested for camera thefts


Posted: Thursday, October 31, 2013 9:19 am



Turner students arrested for camera thefts




0 comments





Two Beloit Turner High School students were arrested Wednesday for allegedly stealing cameras from the school.




Evan N. Brown, 17, and Tharyn C. Dygart, 17, were arrested after police recovered seven Nikon digital camerals and four Minolta cameras from a residence in the 900 block of Woodward Avenue in Beloit Wednesday afternoon.



Both students face charges of burglary, theft and possession of stolen property.


Read more in Thursday’s edition of the Beloit Daily News.





Review of Canon 7D MK II specs reiterated

Review of Canon 7D MK II specs reiterated

By Peter Chubb Posted 30 Oct 2013, 11:05


The Canon 7D is starting to show its age and is now long overdue for a makeover, which is why Canon is well ahead of refreshing the DSLR. We cannot think of the 7D MK II as a complete redesign, but rather a refresh of some of its key features, and maybe a minor design change.


We have known that Canon plans to release the EOS MK II for some time now, but as yet we do not have details on its unveil, although its potential release date is March 2014.. However, we do have a few details on its specs, some fresh details seems to corroborate with several rumors we have already seen.


Review of the Canon 7D MK II specs – We know for certain that Canon is to upgrade the sensor in the 7D refresh, this could be 20-megapixel or 24-megapixel, which will also sport Dual Pixel CMOS AF. It has also been suggested that the Auto Focus system could be the same used in the 5D Mark III.


The Canon EOS 7D MK II design said to be similar current version


The Canon EOS 7D MK II design said to be similar current version


Other rumored EOS 7D Mark II upgrades could include 10-12 fps, WiFi GPS, improved ISO performance and Dual Digic V+ processor. However, the feature that stands out will be weatherproof, which means you will be able to use the 7D MK II in many weather conditions.


As for the Canon EOS 7D MK II price, the latest rumor suggests a cost of around $2,000.


You can add us to your circle on Google+, follow us on Twitter, join the photo community on Pinterest, or like our Facebook page to keep updated on all the latest news.



Review of Canon 7D MK II specs reiterated

Stateline Area News in Brief


Posted: Thursday, October 31, 2013 4:00 pm



Stateline Area News in Brief




0 comments





Cameras stolen from school recovered




Two Beloit Turner High School students were arrested Wednesday for allegedly stealing cameras from the school.



Evan N. Brown, 17, from the 1600 block of Highway 51, and Tharyn C. Dygart, 17, from the 2500 block of Robinson Drive, were arrested after police reportedly recovered seven Nikon digital cameras and four Minolta cameras.


Town of Beloit Police Sgt. Laura Palmer said Brown led police to a home in the 900 block of Woodward Avenue Wednesday afternoon, and the cameras were recovered. Palmer said four cameras are still missing. Police got consent to search the home, Palmer said.


Both students face charges of burglary, theft and possession of stolen property.


Ringhand kicks off Senate campaign


EVANSVILLE — State Rep. Janis Ringhand, D-Evansville, officially kicked off her campaign for State Senate Wednesday at Evansville City Hall.


“Since 2010, I have proudly served as your representative in the State Assembly,” Ringhand said. “I couldn’t think of a better location to announce my State Senate candidacy than the place where my public service began 15 years ago at Evansville City Hall. Serving as Alderwoman and then Mayor, I learned the importance of listening, communication and working until you find a solution. This is the common sense approach I want to bring to the State Senate.”


Ringhand currently serves in the Wisconsin Assembly representing the 45th Assembly District, which includes part of Beloit. She is running for the 15th Senate District seat, currently held by Sen. Tim Cullen, D-Janesville. Cullen announced recently he will not run for another term.


BIFF in Rockford set for Friday


ROCKFORD — The Beloit International Film Festival (BIFF) will present the film “B-Side” at Katie’s Cup, 502 Seventh St., Rockford, on Friday.


Doors will open at 6 p.m. and the film will begin at 6:30 p.m. The cost of admission is $5.


The film stars Ryan Eggold and Jennifer Bamiano. The director is Amos Posner.





Canon EOS Rebel T4i Review Alert: Canon T4i and Deals for Black Friday ...

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Canon EOS Rebel T4i Review Alert: Canon T4i and Deals for Black Friday ...

Sony Cuts Annual Forecast Amid Stalling Demand for TVs, Cameras

Sony Corp. (6758), Japan’s biggest

electronics exporter, unexpectedly cut its full-year profit

forecast amid plunging box-office receipts for its movies and

stalling demand for its televisions and digital cameras.


Net income will probably total 30 billion yen ($305 million)

in the year ending in March 2014, the Tokyo-based company said

in a statement today, cutting its August projection for 50

billion yen in profit. The new forecast compared with the 50.5

billion-yen average of 20 analyst estimates compiled by

Bloomberg. The company also posted a second-quarter loss.


Sony is struggling to catch Samsung Electronics Co. (005930) and

Apple Inc. in mobile devices while also combating worsening

demand for TVs, personal computers and camcorders, and weaker

emerging-market currencies. The company, which rejected Daniel Loeb’s push for a partial sale of its entertainment assets, is

recovering from a series of Hollywood box-office disappointments

that prompted criticism from the billionaire.


“Sony’s electronics businesses have been worsening on

weaker demand for many of its products,” said Koki Shiraishi,

an analyst at SMBC Nikko Securities Inc. in Tokyo. “The TV

market is mostly saturated while smartphones have eroded demand

for digital cameras, camcorders and game players.”


Targets Cut


The net loss totaled 19.3 billion yen in the three months

ended Sept. 30, wider than the 15.5 billion-yen loss booked a

year earlier, the Tokyo-based company said in a statement today.

That missed the 14.8 billion-yen average profit of five analyst

estimates compiled by Bloomberg.


The company cut its annual TV sales target to 14 million

units from 15 million projected three months ago. The smartphone

sales target was maintained at 42 million.


The company previously projected a second straight full-year profit after cutting 16,400 jobs and selling assets

including its 37-story Manhattan office building last year to

end a streak of four straight annual losses.


Sony is betting its Xperia Z1 handset, introduced in

September, will propel it to third place in the global

smartphone market, leaping from seventh and narrowing the gap

with Samsung and Apple. The phone features a 20.7-megapixel

camera and showcases Hirai’s strategy to boost internal

collaboration to make stronger products, the CEO said earlier

this month.


PlayStation Release


Sony is also introducing the PlayStation 4 in the U.S. from

Nov. 15, a week before Microsoft Corp.’s Xbox One hits shelves.


The Japanese company expects sales of the PS4, priced for

U.S. consumers at $399, to reach 5 million units by March 31,

compared with 3.55 million units sold in a similar period for

the PS3. Sony’s first new console in seven years will probably

outsell Xbox One, priced at $499, during the Christmas season

partly because of the sticker price, researcher IDC said.


In TVs, the company is promoting ultra-high-definition

Bravia sets after regaining the No. 3 position in the market.

Sony’s revenue share of the flat-panel TV market rose to 8

percent in the three months ended June 30 from 5.2 percent in

the previous quarter, overtaking China’s TCL Corp. (000100) and Sharp

Corp., according to DisplaySearch.


The company also is challenged by weaker emerging-market

currencies as sales in China and Brazil grew, Hirai said earlier

this month.


Hollywood Receipts


The yen strengthened more than 9 percent versus the Indian

rupee and 4.1 percent against the real in the six months ended

September. Sony generated 35 percent of its sales outside the

U.S., Europe and Japan during the June quarter.


In August, Tokyo-based Sony rebuffed an effort by investor

Daniel Loeb to sell part of the entertainment unit, while

promising more transparency into the unit’s earnings. The unit

created the TV show “Breaking Bad” and this month signed a

deal to produce a 13-episode thriller series for Netflix Inc. (NFLX)


Sony, which released “Cloudy With a Chance of Meatballs

2” and “Grown Ups 2” during the quarter, topped the global

box office with $1.24 billion in gross sales, according to data

compiled by Bloomberg. Still, that was lower than the $1.39

billion in ticket sales a year earlier, according to the data.


Marc Weinstock, head of marketing at Sony’s film studio,

was removed from his role following a disappointing run at the

box office, a person with knowledge of the matter said last

month. The departure was part of the film unit’s response to

investor concerns about its financial performance.


Loeb’s Third Point LLC built a 6.9 percent stake in Tokyo-based Sony and in a May 14 letter asked the Japanese electronics

maker to sell a portion of its entertainment business and

disclose more financial details from the unit.


Sony fell 1.7 percent to close at 1,877 yen in Tokyo

trading before the announcement. The stock is up 96 percent so

far this year, while Japan’s benchmark Topix index added 39

percent.


To contact the reporters on this story:

Mariko Yasu in Tokyo at

myasu@bloomberg.net;

Grace Huang in Tokyo at

xhuang66@bloomberg.net


To contact the editor responsible for this story:

Michael Tighe at

mtighe4@bloomberg.net



Enlarge image
Sony


Sony’s Showroom


Sony


Akio Kon/Bloomberg


The Sony Corp. logo is displayed outside the company’s showroom in Tokyo.


The Sony Corp. logo is displayed outside the company’s showroom in Tokyo. Photographer: Akio Kon/Bloomberg



Sony Cuts Annual Forecast Amid Stalling Demand for TVs, Cameras

Dubble: the double exposure photography app


A new double exposure photography app, Dubble, lets users shoot and upload images which are then matched with a random stranger’s…


Dubble was founded by Adam Scott – a photographer and former MD of Lomography UK – and developers Angelo Semeraro, Ben Joyce and Uldis Pirags. It’s free to download and aims to rekindle the excitement of waiting for analogue film to develop.


“I’m from a photography background and have always loved shooting and developing film. I also used to like doing ‘doubles’ – swapping film with other photographers and developing each others’ pictures,” says Scott.


“I got very into smartphone photography in 2011 and 12 but there was still something missing: that element of surprise when you’re developing film and have no idea how it will turn out.  One day, I was walking home from work and thought it would be really good to make an app that brought that experience to smartphones,” he explains.



Dubble isn’t the first app that lets users experiment with double exposure or photo sharing – Rando users can gift and receive images from strangers and Instablend, Mexposure and Camera360 have multiple exposure features – but it’s the first we’ve seen dedicated to social doubling.


The app is still in the early stages of development but it’s easy to use and nicely designed. Photos can be shared via Facebook, Twitter and Flickr and dubble is working on making the app compatible with Flickr and Instagram.



“Angelo [who was responsible for designing the app] is a real app addict and has several years of experience working on user interfaces. The doubling process is quite complex, so we wanted to simplify the app as much as possible. It’s very gesture based – you swipe rather than tap to zoom and share images, as we think people will move away from tapping in future – and it has a flat look like ios7. We started designing dubble at the start of this year, months before ios7 was released, but were really pleased when it came out as the app’s a perfect match for it,” adds Scott.



Random doubling will probably create more bizarre imagery than good, but that’s half the fun of Dubble. Pictures are matched quickly – in just a few seconds, my shot of the bus stop outside my house had been twinned with one of some runners in the Scottish countryside and Washington DC’s Smithsonian Museum – and the caption function allows each photographer to assign a story and hashtag to their picture.



The app isn’t monetised yet, but future plans include paid for extras, follow-up apps and an online store selling photography and smartphone accessories. Scott says he doesn’t want to compete with Instagram or Flickr, and hopes instead that dubble will become “the go to place for creative, collaborative and fun photography.”


It could also prove a useful marketing tool, particularly if group features or functions pairing photos with similar themes or hashtags are introduced.


“We’ve been pleasantly surprised by the quality of images people have uploaded so far and you can create some really nice work with it,” he says – provided, of course, that it isn’t hijacked by users posting ‘selfies’.


Dubble is free to download from the iTunes app store. For more info visit dubble.me



Dubble: the double exposure photography app

Canon EOS 70D Review, Price, Specs, Features: The Focus Is In The Autofocus

The autofocus on this camera is one of the most significant pieces of the upgrade from the EOS 60D. Like the previous version, it features a button that is set to the AF zones for the 19-point autofocusing system, where all of the autofocus selections are at your fingertips-Single AF point, AF point groups, and even an automatic selection.


The Dual-Pixel CMOS is also pretty neat.


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As previously reported, Canon’s new autofocus system, dubbed the Dual Pixel CMOS AF (DPA) as an innovation in autofocus technology. According to CNET, a single photodiode, or the element on a sensor that collects light and converts it to an electrical signal, only passes on image data.


In the EOS 70D, the DPA splits each photodiode into two, comparing the signals from each half by using an algorithm for autofocus that phase-detects. The new feature makes the camera faster by driving the lens into autofocus.


The 70D also has manual-focus updates. Like the high-end 7D, the camera includes a touch-screen interface for Live View and video recording. It also gains Wi-Fi for wireless control and file transfer.


There are no radical changes to the outside design, but the camera’s operation is heightened due to these simple changes that Canon is implementing. Other updates include the Live View/Movie switch and record button, and a lock switch for the multi-controller.


“The Canon 70D is a more all-round multi-media device. For many people the improved video focusing and built-in wireless capabilities for sharing images will instantly make a compelling argument in favor of the 70D,” writes Gizmag columnist, Simon Crisp.


Shooting compositions are better than ever with the 1040k-Dot Fully-Articulated LCD Display, where the EOS 70D outshines other mid-grade cameras in playback and touch performance.


This camera is best for family, landscape, scenery, low light, action and sports photos, where it takes great travel, wedding and wildlife photos as well. Adorama reports that it is a popular camera for these things because its price is in a good range and its features are well-built. It also ” has “improved 3″ ClearView II LCD makes it simpler to navigate the settings and browse different images you’ve just captured.”


As previously reported, The Canon EOS 70D is a great mid-range DSLR camera, where its dual pixel CMOS AF propels a revolutionary CMOS sensor for perfect pixel performance. And not only is it great with still shots, but the Full HD Movie Mode is phenomenal as well.


The new Dual Pixel CMOS AF system with Movie Servo provide continuous phase detection AF during recording for accurate focus tracking at a quick speed, in the central 80 percent of the imaging area. Any of the Stepping Motor (STM) lenses like the new EF-S 18-55mm f/3.5-5.6 IS STM lens will work well, especially with less motor noise. This helps the camera capture the desired sound of the scene.


There is also a built-in stereo microphone with manual adjustment for the audio, with an attenuator function for audio clip reducing.


Everything is shot in 1080p Full HD mode when users select EOS Movie Mode, and the video is up to 30 fps, similar to the EOS-1D X, EOS 5D Mark III, and EOS 6D models.


Recent reviews by Imaging Resource states that this device brings in “a new technology so unexpected that there’s no way we could be disappointed – even if it may not have delivered the significant upgrade in still image quality that everyone wanted or expected.”


Another feature that many users will like about the camera is that it has creative filters built into the camera-seven, in fact. Users may pick from Art Bold, Fish-eye, Water Painting, Grainy Black and White, Soft Focus, Toy Camera, and Miniature. These features are combined with a high-resolution Vari-angle Touch Screen 3.0-inch Clear View LCD monitor. This, according to Lets Go Mobile, is one of the best cameras for photographers that want imaging technology.


The camera just became available for $1,199.


 



Canon EOS 70D Review, Price, Specs, Features: The Focus Is In The Autofocus

Round 2: Nikon Releases Another Teaser for Its Upcoming Retro Full-Frame

Whether or not the camera will live up to the hype, we won’t know until we’ve gotten our hands on it. But if there’s one thing Nikon is doing right regarding the soon-to-be-released retro-styled full-frame, it’s building a crap load of hype.


We’ve already had one teaser trailer (which you can watch here), and now, Nikon has released another, this one giving us tantalizing split-second glances of the camera that we didn’t see at all in the previous ad.


Here are a couple of shots of the camera — supposedly named the “Nikon DF,” not D4H as previously reported — we pulled out of the video (click the photos for higher resolution):


nikondf_1


nikondf_2


This obviously isn’t the first teaser, and if the description is to be believed it won’t be the last either. The video is described as another chapter in “a series of short movies depicting a photographer roaming through Scotland with a camera as his only companion.”


It goes on to talk about a journey of self-discovery, but if we’re being honest, the most compelling part of the ad (at least for most people) seems to be the slow journey of discovering the Nikon DF on the way to its rumored November 6th release. So stay tuned, chances are we’ll be seeing more sneak peeks like this over the course of this week.


To see a list of rumored specs for the upcoming shooter, check out our previous coverage by clicking here. And if you want to see the first teaser, click here.


(via Nikon Rumors)



Round 2: Nikon Releases Another Teaser for Its Upcoming Retro Full-Frame

Sony"s Hirai Mixes Camera With Phone Geeks to Catch Apple

For Kazuo Hirai, creating Sony Corp. (6758)’s flagship smartphone was too important to be left to the company’s mobile-phone experts.


Taking aim at a $310 billion market dominated by Samsung Electronics Co.’s Galaxy and Apple Inc. (AAPL)’s iPhone, Sony’s chief executive officer sent dozens of his company’s camera engineers to its phone division last year to give the Xperia Z handset advanced photography capabilities. It was a big change for a company whose units haven’t been used to collaborating on their thousands of consumer products.


“We used to believe Walkman belonged to the Walkman team and Cyber-shot belonged to the Cyber-shot team,” said Kichiro Kurozumi, who leads the Xperia planning unit, referring to Sony’s music players and compact cameras. In the past, the silos acted like independent companies and “wouldn’t be thrilled to let others use assets they’d invested in,” he said.


The Xperia highlights how Sony is uniting technologies from different departments to create more successful products, Hirai, 52, told reporters in Tokyo. Sony released the Xperia Z’s successor model, the Z1, last month. The company, set to report second-quarter earnings tomorrow, is counting on the handsets to meet Hirai’s goal of becoming the largest smartphone seller after Samsung and Apple.


“He’s fearless about cannibalization, and you can see that in the smartphones they’ve created,” said Takashi Watanabe, a Tokyo-based Goldman Sachs Group Inc. analyst, describing the changes at Sony under Hirai’s 19-month tenure as “amazing.” “The latest model is so powerful, you wonder whether it will completely destroy the digital camera market.”


Megapixels


Released Sept. 9, the 5-inch Z1 features a 20.7-megapixel camera, compared with the predecessor’s 13 megapixels, a “G” high-performance lens that was once proprietary to the camera unit, and a more powerful image processor. Sony’s latest Cyber-shot RX10, to be released next month at around 130,000 yen ($1,332), has a 20.2-megapixel image sensor. Samsung’s Galaxy S4 is equipped with a 13-megapixel chip, while Apple’s high-end iPhone 5s has an 8-megapixel sensor.


“They’re using the camera technology as a way to differentiate themselves from rivals,” said Junya Ayada, a Tokyo-based analyst at Daiwa Securities Group Inc., who recommends investors buy the shares. “Sony will also put other signature technologies in its smartphones.”


Fourth-Ranked


Sony’s smartphone sales rose 30 percent in the quarter through June to $3.65 billion. While that outpaced Cupertino, California-based Apple’s 9 percent gain, it fell short of top-ranked Samsung’s 55 percent jump in smartphone revenue and a 48 percent advance by LG Electronics Inc. (066570) Samsung now outsells Tokyo-based Sony more than 8-1, while Apple’s sales are almost five times those of fourth-ranked LG.


Sony aims to make a profit from mobile products this fiscal year after its consumer-electronics business racked up 130 billion yen in losses a year earlier. The company’s TV-manufacturing business has been unprofitable for the past nine straight years as it lost market share to South Korea’s Samsung and LG.


For the quarter ended Sept. 30, Sony may post net income of 17.2 billion yen, compared with a 15.5 billion-yen loss a year earlier, according to the average of four analyst estimates compiled by Bloomberg.


The company’s shares have almost doubled in Tokyo trading this year, helped by Japanese Prime Minister Shinzo Abe’s economic policies that have led to a weaker yen, boosting the repatriated value of Sony’s overseas earnings. Sony rose 1 percent to 1,910 yen at the 3 p.m. close of Tokyo trading today.


‘One Sony’


The company projects a second straight full-year profit after cutting 16,400 jobs and selling assets including its 37-story Manhattan office building last year to end a streak of four straight annual losses.


Taking over from former CEO Howard Stringer in April of last year, Hirai pledged to unify the electronics maker’s sprawling businesses, ranging from consumer electronics to music, movies and financial services, under the slogan “One Sony.”


For the Xperia planning team, change under Hirai has been noticeable, Kurozumi said.


“I have staff who joined my team from the Walkman unit and a former Cyber-shot manager, too,” Kurozumi said. “There’s no longer any awkwardness in talking to people on other teams.”


‘Uncool’ Lid


Hirai also weighed in personally on the Z1’s design, Kurozumi said, telling the creative team to get rid of a headphone-jack lid because it was “uncool.” The CEO also advised against moving the location of the new model’s power switch because doing so might confuse users who upgraded from the Xperia Z, Kurozumi said.


“To me, these were clear and simple messages that the management intends to boost attention to what customers care about,” Kurozumi said.


Sony is also hoping for a boost from the PS4, its first new home-gaming console in seven years, which will be introduced in the U.S. and Europe next month. The machine’s price tag of $399 will help it outsell Microsoft Corp.’s Xbox One, which will cost $100 more, Framingham, Massachusetts-based researcher IDC said this month.


Even if Hirai succeeds in creating better products by breaking down barriers inside Sony, it may be 10 to 20 years too late, said Koki Shiraishi, an analyst at SMBC Nikko Securities Inc. in Tokyo, who rates the shares neutral, or hold.


Price, Not Specs


For televisions, price competitiveness has become more important than technological superiority, and smartphones are approaching the same stage, Shiraishi said. That gives the edge to companies with lower costs, such as Samsung and LG, he said.


“You can no longer attract consumers by promoting technological advancement,” Shiraishi said. “Sony is always a lap behind.”


Sony also hasn’t shown investors yet that “synergy” is happening between its hardware and software businesses, said Keita Wakabayashi, an analyst at Mito Securities Co. in Tokyo, who rates the shares neutral plus, or hold.


Kurozumi said the changes happening at Sony are gradual, yet meaningful.


“We’re just taking elementary steps,” Kurozumi said. “Sony was long unable to do the basics.”


To contact the reporters on this story: Mariko Yasu in Tokyo at myasu@bloomberg.net; Grace Huang in Tokyo at xhuang66@bloomberg.net


To contact the editor responsible for this story: Michael Tighe at mtighe4@bloomberg.net



Enlarge image
Sony CEO Kazuo Hirai


Sony CEO Kazuo Hirai


Sony CEO Kazuo Hirai


Kiyoshi Ota/Bloomberg


Kazuo Hirai, chief executive officer of Sony Corp., laughs as he tries out a Sony Xperia Z1 smartphone with the Sony DSC-QX100 smartphone attachable lens-style camera at the CEATEC Japan 2013 exhibition in Chiba, Japan.


Kazuo Hirai, chief executive officer of Sony Corp., laughs as he tries out a Sony Xperia Z1 smartphone with the Sony DSC-QX100 smartphone attachable lens-style camera at the CEATEC Japan 2013 exhibition in Chiba, Japan. Photographer: Kiyoshi Ota/Bloomberg



Sony Still Has a `Reasonably Strong



Aug. 2 (Bloomberg) — Daniel Ernst, an analyst at Hudson Square Research, talks about the outlook for Sony Corp.

Sony’s board is “deepening” its discussions of billionaire investor Daniel Loeb’s proposal to sell part of the entertainment business, the company said after raising its full-year revenue forecast on the weaker yen. Ernst speaks from New York with Susan Li on Bloomberg Television’s “First Up.” (Source: Bloomberg)



Enlarge image
Sony CEO Kazuo Hirai


Sony CEO Kazuo Hirai


Sony CEO Kazuo Hirai


Kiyoshi Ota/Bloomberg


Kazuo Hirai, chief executive officer of Sony Corp., laughs as he tries out a Sony Xperia Z1 smartphone with the Sony DSC-QX100 smartphone attachable lens-style camera at the CEATEC Japan 2013 exhibition in Chiba on Oct. 1, 2013.


Kazuo Hirai, chief executive officer of Sony Corp., laughs as he tries out a Sony Xperia Z1 smartphone with the Sony DSC-QX100 smartphone attachable lens-style camera at the CEATEC Japan 2013 exhibition in Chiba on Oct. 1, 2013. Photographer: Kiyoshi Ota/Bloomberg



Sony"s Hirai Mixes Camera With Phone Geeks to Catch Apple

Legendary Photographer Deborah Turbeville Dies

RENOWNED conform photographer Deborah

Turbeville
has died aged 81 after a conflict with lung cancer.

Known as a “anti-Helmut

Newton
” for her proceed to conform photography, Turbeville

favoured plcae over a garments as a concentration of a image, often

overexposing and scratching a negatives to give a images a

sense of decay.


Having shot for magazines including American, French and

Italian Vogue, Turbeville’s many famous fire was the

1975 Bath House array for American Vogue -

a swimwear spread, shot in a bathhouse in New York, which

depicted models in a state of despondency and drew

comparisons to Auschwitz – that was reprised in 1984′s Steam

Room
shoot.



“I find personalities, demeanour for engaging faces and do

pictures in locations revealing of a rest of a work,”

Turbeville told WWD in 2009. “I mix clothes,

people and place to make a story… we like strange

places.” 


Turbeville continued operative into her eighties, shooting

Valentino’s spring/summer and autumn/winter 2012 advertising

campaigns final year and edition her final book, Deborah

Turbeville: The Fashion Pictures,
in 2011.


Article source: http://www.pressofatlanticcity.com/news/breaking/photographs-capture-ways-in-which-african-americans-claimed-citizenship-in/article_0169da3a-3cc0-11e1-9354-0019bb2963f4.html




Legendary Photographer Deborah Turbeville Dies

Canon EOS 7D Mark II Rumors, Specs, Release: What New Specs Have Come ...

New reports from Canon Rumors exhibit a new spec list for a arriving Canon EOS 7D Mark II exam camera around Northlight. These specs include:


21MP APS C, an ISO 100-25600 (L: 50, H1 51200, H2 102400), 10 fps, video with ‘stills burst’ mode during 30/60 fps as good as full HD video with primer control, a singular CF label slot, and an 19 AF Points all Cross. It also has an on chip proviso detecting pixels for liveview and AF tracking, a 100% viewfinder with a aloft fortitude than 7D, a 3.2″ LCD, GPS, WiFi, and an amalgamate physique with softened continue sealing over 7D.


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It would be an all-new AF complement if a 19 AF points are true.


As formerly reported, rumors have flush that a proclamation of a Canon EOS 7D Mark II will be expelled in Q2 of 2014.


One probable idea of a new camera states that it will be a some-more video-oriented DSLR, over a “pro” APS-C camera, so it would be softened for videographer types.


Camera Egg also reported that a Canon EOS 7D Mark II will be a high-end Flagship APS-C DSLR. The camera’s prior rumored specs were a 20.2 Megapixel APS-C, probable 12 fps nonetheless aim is 10, singular video features, ISO 100-25600 and an softened Dual Pixel AF.


Canon Watch settled that Canon was contrast dual opposite sensor configurations for a camera, where there was also a 24 Megapixel sensor that is in margin testing.


Canon wants to step adult fortitude for a 7D Mark II to make it opposite from a EOS 7D along with a low light/high ISO performance.


The camera was remarkable to also have “high grade” continue sealing like other veteran DSLRs, a singular label slot, Wi-Fi GPS, video facilities and a good ISO performance.


ISO opening is a priority since Canon wants to set high standards with this camera, aiming to make an APS-C DSLR. Canon also wants to see how a EOS 70D is perceived in a marketplace before they entirely rise a specs for a EOS 7D Mark II. Since Canon will make this a new flagship after a EOS 70D, afterwards it will really have to be feature-packed. This means that they have to have softened specs than a EOS 7D, softened resolution, and as remarkable before,  a some-more worldly AF system.


The specs are distant from complete, according to Canon Rumors, though they seem really plausible. The camera is approaching to cost $2,199.


 


Article source: http://www.pressofatlanticcity.com/news/breaking/photographs-capture-ways-in-which-african-americans-claimed-citizenship-in/article_0169da3a-3cc0-11e1-9354-0019bb2963f4.html




Canon EOS 7D Mark II Rumors, Specs, Release: What New Specs Have Come ...

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of this illusory offer should pierce quickly.”



As partial of a Christmas Cashback promotion, business can explain £20

cashback on Nikon’s D3100 D-SLR and Nikon 1 S1 cameras, £30 cashback on

a Nikon D3200 operation and £50 cashback on Nikon D5200 cameras. Also,

there’s £70 cashback on offer on purchases from a Nikon D7000 operation as

good as DX lenses and accessories, £80 on Nikon 1 V2 cameras and £100

cashback on D7100 cameras.



This year’s Christmas Cashback is Nikon’s biggest yet, so now’s the

ideal time to collect adult comparison Nikon cameras and accessories. But

remember, this offer is usually accessible for a singular duration – only

business who squeeze comparison Nikon apparatus between Oct 16th

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CHodgson@dabs.com




Article source: http://www.pressofatlanticcity.com/news/breaking/photographs-capture-ways-in-which-african-americans-claimed-citizenship-in/article_0169da3a-3cc0-11e1-9354-0019bb2963f4.html




Get cashback on Nikon cameras at BT Shop - 4

Sony sells more smartphones, but suffers from drop in demand for cameras, PCs


Sony’s hugely improved smartphone operation have finished good for a company, and mobile sales in a final entertain have increasing 39.3 percent given a same duration final year. However, a rest of a financial news creates reduction happy reading for Sony fans. In total, a company’s cut a annual distinction foresee down to 30 billion yen (roughly $300 million) — a 40 percent diminution from a 50 billion yen it approaching to lift in, with censure being intended during mixed flops from a film department.


Camera sales forsaken 6.9 percent, following a continued decrease of video camera and compress point-and-shoots — a imaging arm saw a sum detriment of $24 million. Meanwhile, TV sales are up, though notwithstanding a certain effects of cost reductions and restructuring, a multiplication still mislaid $123 million in a final quarter. Meanwhile, Sony’s possess picture sensors and components continue to make cash, following a continued bang in intelligent devices, with an handling income of $122 million for Q2 2013.


Just forward of a grand PS4 launch, a gaming dialect done a detriment of $8 million, that (a small like Nintendo) it has blamed on “strategic cost reduction” of a Vita handheld. It adds that this detriment was “partially offset” by program sale increases on a PS3 (although not on a Vita). Sony still managed to sell 2 million new PS3s in a final entertain and it hasn’t altered a predictions for a gaming arm. The association is expecting large things from a new PlayStation and a discerning change to profitability, pinning hopes on its calm stores that are resolutely lodged inside a next-gen console.


Article source: http://www.pressofatlanticcity.com/news/breaking/photographs-capture-ways-in-which-african-americans-claimed-citizenship-in/article_0169da3a-3cc0-11e1-9354-0019bb2963f4.html




Sony sells more smartphones, but suffers from drop in demand for cameras, PCs

Wednesday, 30 October 2013

Photography competition: show us something you"ve discovered

What have you discovered lately? A hidden curiosity in your neighbourhood? A new recipe? A long-forgotten object? Or a new friend? Show us a photo you’ve taken that perfectly captures something you’ve discovered recently. From people to places – to things you’ve seen, touched, learned or felt.


The person who submits the best photo will win a Guardian photography Masterclass of their choice. Whether this is the first time you’ve picked up a camera or you’re ready to tackle the challenges of professional level photography, we have classes to match all abilities and interests.


The photos will be independently judged by award-winning photojournalist and Masterclass tutor, Antonio Olmos, whose work focuses on issues surrounding human rights, the environment and conflict. Antonio is also an editorial and portrait photographer whose images have appeared in all the UK broadsheet weekend magazines, including the Observer Magazine. Antonio will select a winning image that he finds most interesting, well composed, artistic and original – and which evokes the best interpretation of the theme.


You might like to add a description to your image to let us know more about the picture, how you took it, or what it means to you – but it’s the photo itself we’ll be judging.


To take part, click on the blue ‘contribute’ button above or download the free GuardianWitness app for your smartphone.


Closes 15 November 2013 at 2pm GMT




  • GuardianWitness is the home of user-generated content on the Guardian. Contribute your video, pictures and stories, and browse news, reviews and creations submitted by others. Posts will be reviewed prior to publication on GuardianWitness, and the best pieces will feature on the Guardian site.


Terms and Conditions – Guardian Photography Masterclass Competition


Entering the Competition


1. The Guardian Photography Masterclass competition (the “Competition”) is open to UK residents aged 18 and over subject to paragraph 2 below.


2. Employees and employees of agencies of Guardian News Media Limited (“GNM”) or its group companies, or their family members, freelance contributors to GNM, or anyone else connected with the Competition, may not enter the Competition.


3. By entering the Competition you are accepting these Terms and Conditions. Any entry or entrant which does not comply with these Terms and Conditions may be disqualified.


4. To enter the Competition, you must sign in to GuardianWitness (on desktop, Android or iPhone app) using your Guardian, Facebook or Twitter account and submit a photograph which relates to the theme “discover” (“Photo”), and which meets the requirements in section 12 below. In submitting your entry, you must follow the instructions on GuardianWitness (including as to file format and size). Your photograph can be taken in a style of your choosing. The maximum file size is 20MB on desktop and we can receive .jpg, .png and .gif files.


5. If you have any questions about how to enter or in connection with the Competition, please e-mail us at peter.langdon@theguardian.com with “GuardianWitness” in the subject line.


6. You are responsible for the cost (if any) of sending your Competition entry to us. You must not endanger yourself or others, or take any unnecessary risks, in order to produce or make any Photo to be submitted to this Competition.


7. Only one entry, and one Photo, is permitted per person. The winner shall be the owner of the Guardian, Facebook or Twitter account from which the selected winning entry is sent. Entries on behalf of another person will not be accepted and joint submissions are not allowed. No purchase is necessary to enter.


8. The image must not have been published previously in any other publication or website.


9. The competition opens at 16:00 on 25 October 2013 and closes at 14:00 on 15 November 2013. Entries received after that date and time will not be considered.


10. Entries may be featured on an online gallery on witness.theguardian.com, and on the Guardian Masterclass Twitter page.


11. By submitting an entry to the Competition, you grant GNM:


a. a non-exclusive, irrevocable, royalty-free, worldwide, perpetual licence (with a right to sub-licence) to use, republish, reproduce, edit and/or modify your Photo without restriction in any and all media (including in electronic format and hard copy), for purposes connected with the Competition (including the promotion of the Competition and to report on the Competition both now and in the future) and as otherwise described in these Terms and Conditions, including a licence for publication of the Photo on GNM websites including but not limited to witness.theguardian.com and theguardian.com (“GNM Websites”) and on any social media account controlled by GNM, including but not limited to Facebook and Twitter accounts (“GNM Social Media Accounts”), and in GNM hard copy publications; and


b. the right to use your name and town or city of residence for the sole purpose of identifying you as the author of your entry and/or as a winner of the Competition.


12. You also hereby waive all your moral rights in your Photo. Notwithstanding the afore-going waiver, in order to use Photos as intended and advised in these Terms and Conditions, (i) GNM may need to modify Photos, including but not limited to resizing, cropping or colour adjustment as necessary, provided that GNM shall endeavour in undertaking such modifications to maintain the integrity of your Photo as originally created; and (ii) GNM shall use its best endeavours to provide a picture credit for all Photos.


13. You own the copyright to your Photo as its author. Your Photo must:


a. be your own work, must not be copied, must not contain any third-party materials or public domain materials (including third party works of art, and third party brands or trade marks) or any other content that you do not have permission to use; and


b. not be obscene, defamatory, offensive, inappropriate, or in breach of any applicable legislation or regulations.


If GNM has reason to believe your entry is not your own work or otherwise breaches these Terms and Conditions, then GNM may not consider it. You accept that You will be liable for any claims, losses, fines, penalties, costs or damages suffered or incurred by You or GNM as a result of Your breach of this clause.


14. If your Photo contains an image of another person, you must have that person’s consent to enter the Photo in the Competition. Where an individual whose image is featured in a Photo is aged less than 18 years the entrant confirms that the parent or guardian of that individual has given the relevant consent. On request of GNM and by any stipulated deadline, you must provide a written signed personal release (in any form requested by GNM) from the person featured in the Photo (or their parent or guardian) granting GNM permission to use the Photo without restriction in any and all media (including in electronic format and hard copy), for purposes connected with the Competition (including the promotion of the Competition and to report on the Competition both now and in the future) and as otherwise described in these Terms and Conditions.


Picking the winners


15. An independent judge, photographer Antonio Zazueta Olmos, will choose one winning entry from all the valid Competition entries received in accordance with these Terms and Conditions.


16. When choosing the winner, the judge will be looking for the most interesting, well composed, artistic and original Photo that evokes the best interpretation of the theme.


17. The judge’s selection of the winner will be made on or before 22 November 2013. The prize is awarded at GNM’s discretion. The judge’s decision is final and no correspondence will be entered into.


The Prize


18. The winner will win a place at a GNM photography Masterclass (the “Prize”). The winner may choose which course he or she attends out of the list of one and two day courses contained at http://www.theguardian.com/guardian-masterclasses/photography-courses, subject to availability of places in that particular course, and the Prize must be taken by 30 April 2014. The Prize does not include anything other than the course and any advertised inclusions applicable to that course, and in particular, the winner will need to arrange and pay for their own travel, accommodation and incidental costs as necessary to attend the course.


19. The terms and conditions of attendance at the course, found at http://www.theguardian.com/guardian-masterclasses/terms-and-conditions?intcmp=239guni=Article:in%20body%20link (“the Masterclass Terms”), shall apply to the winner’s participation in the course, except that the winner will not be required to undergo any separate application process or pay the fees.


20. The winner will be notified by GNM by telephone or email on or before 29 November 2013 and will be given details of how to claim the Prize. If the winner does not respond to GNM to claim the Prize within 14 days of being notified by GNM, rejects the Prize, or the entry is disqualified, fraudulent or deemed invalid, then the Prize will be forfeited by that winner and the Judge shall be entitled to select another winner based on the criteria described above (and that winner will have to respond within 14 days or else they will also forfeit the Prize).


21. Details of the winner and their Photo will be published in a Masterclass newsletter. Details of the winners can also be obtained by sending a stamped addressed envelope to the following address: Masterclasses, Guardian News Media Limited, Kings Place, 90 York Way, London N1 9GU.


22. Details of how to book a course and obtain the Prize will be confirmed to the winner by GNM within 7 days of the winner being notified that he/she has won. GNM will not be liable if the Prize fails to reach You, if You cannot accept it for reasons beyond GNM’s control, or if GNM is unable to contact You, including due to Your provision of inaccurate or incomplete information.


23. The Prize cannot be exchanged or (notwithstanding clause 4.3 of the Masterclass Terms) transferred by you and cannot be redeemed by you for cash or any other prize. You must pay all other costs associated with the prize and not specifically included in the prize.


24. We retain the right to substitute the Prizes with another prize of similar value in the event that the original Prize offered is not available.


Some other rules


25. We take no responsibility for entries that are lost, delayed, misdirected or incomplete or cannot be delivered or entered for any technical or other reason. Proof of delivery of the entry is not proof of receipt.


26. By submitting your Photo and entering this Competition, you consent to the use of your personal data by GNM as set out in these terms and conditions and GNM’s privacy policy located at www.guardian.co.uk. GNM will not pass your details to any third party not referred to in these terms and conditions and/or the privacy policy located at www.guardian.co.uk.


27. Entrants’ details will be used by GNM for the purposes of administering the competition. Entrants’ details will also be used for marketing purposes if you have indicated that you want to receive marketing materials (such as email newsletters) from GNM. GNM may pass entrants’ details to third parties where the third party is acting on GNM’s behalf for the purposes of administering this competition and/or any subsequent publicity, and/or for the purposes of sending you GNM’s marketing materials (provided you have indicated that you want to receive any such marketing materials); and/or as otherwise required by law.


28. Entrants may be required to take part in promotional activity relating to the Competition. By entering the Competition, you agree to the use of your name, voice, image and likeness by GNM for such purposes, and in advertising and promotional material, in any media, without further compensation.


29. The Promoter of the Competition is Guardian News Media Limited whose address is Kings Place, 90 York Way, London N1 9GU. Any complaints regarding the Competition should be sent to this address.


30. Nothing in these Terms and Conditions shall exclude the liability of GNM for death, personal injury, fraud or fraudulent misrepresentation as a result of its negligence.


31. GNM accepts no responsibility for any damage, loss, liabilities, injury or disappointment incurred or suffered by you as a result of entering the Competition or accepting any prize. GNM further disclaims liability for any injury or damage to you or any other person’s computer relating to or resulting from participation in or downloading any materials in connection with the Competition.


32. GNM reserves the right at any time and from time to time to modify or discontinue, temporarily or permanently, this Competition with or without prior notice due to reasons outside its control (including, without limitation, in the case of anticipated, suspected or actual fraud), including where it has not received a sufficient number of entries of suitable quality to allow for selection of an appropriate winner. The decision of GNM in all matters under its control is final and binding.


33. GNM shall not be liable for any failure to comply with its obligations where the failure is caused by s33. omething outside its reasonable control. Such circumstances shall include, but not be limited to, weather conditions, fire, flood, hurricane, strike, industrial dispute, war, hostilities, political unrest, riots, civil commotion, inevitable accidents, supervening legislation or any other circumstances amounting to force majeure.


34. If any court or competent authority finds that any provision of these terms and conditions (or part of any provision) is invalid, illegal or unenforceable, that provision or part-provision shall, to the extent required, be deemed to be deleted, and the validity and enforceability of the other provisions of these terms and conditions shall not be affected.


35. The Competition will be governed by English law and any disputes shall be subject to the exclusive jurisdiction of the English courts.



Photography competition: show us something you"ve discovered

In pictures: Terms and conditions

To submit your photograph so that we can consider it for publication email it to in.pictures@theguardian.com together with a brief explanation of what inspired you to take the picture.


2. The theme for each week, the deadline and the date of appearance in Guardian Weekend Magazine is available here. Please don’t send more than one photograph for each theme. We may delete emails with multiple attachments.


3. If you are under 16 you must check that your parent or guardian is happy for you to submit your picture. You must provide your name, age, address and the name, contact telephone number and email address of your parent or guardian. We require the consent in writing (which may include e-mail) of the parent or guardian of the author of a photograph who is under 16 years of age in order to publish that photograph and the author’s name, age and town or city of residence.


4. By submitting your photograph for publication you represent and warrant that it is your own original work, is not copied, and does not contain any third-party materials and/or content that you do not have permission to use. You further warrant and represent that your photograph is not obscene, defamatory or in breach of any applicable legislation or regulations.


5. We cannot consider photographs submitted on behalf of another person.


6. Photographs are selected for publication at the sole discretion of the In Pictures team. There will be no payment for publication.


7. Publication of the selected photographs for each theme will usually take place two weeks after the topic is presented in the Guardian’s Weekend magazine and on theguardian.com.


8. By submitting a photograph you: a) give us permission to publish it in Guardian Weekend Magazine and on theguardian.com; and b) grant us a non-exclusive, royalty-free, worldwide license to republish it in any format including without limitation in print and electronic formats; and b) you give us permission to use your name and town or city of residence (and age if you are under 16) for the purpose of identifying you as the author of your photograph.


9. We may cut, edit, crop or arrange your photograph(s) or graphic as we think fit to appear in print and on theguardian.com web site, and we may remove your photograph(s) or graphics at any time. Your name will be published alongside your photograph(s) or graphic, but we may edit or delete any comments which you submit along with your photograph(s) or graphic.


10. IMPORTANT: You retain ownership of the copyright in your photograph as its author and you are free to republish it wherever you wish and in whatever medium you want.


11. We take no responsibility for photographs that are lost, delayed, misdirected or incomplete or cannot be delivered for any technical or other reason. To the extent permitted by law we shall not be liable for any loss or damage resulting from submission or publication of your photographs (except for death, personal injury or fraud, as a result of negligence).


12. We will not return your photograph to you.


13. Any personal data submitted by you will be used solely in accordance with current UK data protection legislation. Please see our privacy policy for details of how personal data may be processed.


14. In these terms and conditions “we” and “us” means Guardian News Media Limited. The general website terms and conditions, available here apply.


15. These terms and conditions shall be governed by and interpreted according to English law and the English courts shall have exclusive jurisdiction to deal with any disputes arising in connection with them.


Article source: http://www.pcworld.idg.com.au/article/455347/product_snapshot_pentax_mx-1_camera/


Incoming search terms:





In pictures: Terms and conditions

In pictures: Terms and conditions

To submit your photograph so that we can consider it for publication email it to in.pictures@theguardian.com together with a brief explanation of what inspired you to take the picture.


2. The theme for each week, the deadline and the date of appearance in Guardian Weekend Magazine is available here. Please don’t send more than one photograph for each theme. We may delete emails with multiple attachments.


3. If you are under 16 you must check that your parent or guardian is happy for you to submit your picture. You must provide your name, age, address and the name, contact telephone number and email address of your parent or guardian. We require the consent in writing (which may include e-mail) of the parent or guardian of the author of a photograph who is under 16 years of age in order to publish that photograph and the author’s name, age and town or city of residence.


4. By submitting your photograph for publication you represent and warrant that it is your own original work, is not copied, and does not contain any third-party materials and/or content that you do not have permission to use. You further warrant and represent that your photograph is not obscene, defamatory or in breach of any applicable legislation or regulations.


5. We cannot consider photographs submitted on behalf of another person.


6. Photographs are selected for publication at the sole discretion of the In Pictures team. There will be no payment for publication.


7. Publication of the selected photographs for each theme will usually take place two weeks after the topic is presented in the Guardian’s Weekend magazine and on theguardian.com.


8. By submitting a photograph you: a) give us permission to publish it in Guardian Weekend Magazine and on theguardian.com; and b) grant us a non-exclusive, royalty-free, worldwide license to republish it in any format including without limitation in print and electronic formats; and b) you give us permission to use your name and town or city of residence (and age if you are under 16) for the purpose of identifying you as the author of your photograph.


9. We may cut, edit, crop or arrange your photograph(s) or graphic as we think fit to appear in print and on theguardian.com web site, and we may remove your photograph(s) or graphics at any time. Your name will be published alongside your photograph(s) or graphic, but we may edit or delete any comments which you submit along with your photograph(s) or graphic.


10. IMPORTANT: You retain ownership of the copyright in your photograph as its author and you are free to republish it wherever you wish and in whatever medium you want.


11. We take no responsibility for photographs that are lost, delayed, misdirected or incomplete or cannot be delivered for any technical or other reason. To the extent permitted by law we shall not be liable for any loss or damage resulting from submission or publication of your photographs (except for death, personal injury or fraud, as a result of negligence).


12. We will not return your photograph to you.


13. Any personal data submitted by you will be used solely in accordance with current UK data protection legislation. Please see our privacy policy for details of how personal data may be processed.


14. In these terms and conditions “we” and “us” means Guardian News Media Limited. The general website terms and conditions, available here apply.


15. These terms and conditions shall be governed by and interpreted according to English law and the English courts shall have exclusive jurisdiction to deal with any disputes arising in connection with them.


Article source: http://www.sbwire.com/press-releases/canon-eos-5d-mark-iii-and-deals-for-black-friday-cyber-monday-and-christmas-season-2013-now-recommended-by-hottydealscom-372433.htm


In pictures: Terms and conditions

Canon EOS 5D Mark III and Deals for Black Friday, Cyber Monday, and ...

Dennis P.

760-623-0014
Email | Web


Follow Hottydeals.com:


Article source: http://www.examiner.com/article/time-magazine-sony-rx100-camera-invention-of-the-year


Canon EOS 5D Mark III and Deals for Black Friday, Cyber Monday, and ...

Tuesday, 29 October 2013

Pentax K-3 First Shots posted: Pixel peep revolutionary DSLR"s test images ...



Our first impressions Pentax K-3 review generated a lot of interest from IR readers, so we were eager to post the IR Lab’s First Shots taken with the camera as soon as we received the final firmware. The K-3 marks a big step up for Pentax’s flagship APS-C DSLR, featuring significant changes inside and out — most notably an industry first: On-demand, optical low-pass (anti-aliasing) filtering which lets you choose whether ultimate resolution or resistance to moiré are more important for any given shot.



The 24.3-megapixel Pentax K-3 packs 50% more pixels into its APS-C sized image sensor than the K-5 II, increasing linear resolution by almost a quarter. And thanks to a new PRIME III image processor, it simultaneously increases performance to a whopping 8.3 frames per second at full resolution, for as many as 60 JPEG or 23 RAW frames. And despite the significant resolution increase, the K-3 still offers a maximum sensitivity of ISO 51,200 equivalent.



So how do these upgrades translate to image quality? Take a pixel peep at these First Shots — Still Life* images taken with the OLPF/AA filter turned off, and Multi Target* images taken with the OLPF/AA filter both off and on (at two different levels) — and we’re certain you’re going to be intrigued by what this camera can do. Using our Comparometerâ„¢, you can also pit sample pictures taken with the K-3 side-by-side against those from the K-5 II, K-5 IIs or any other camera we’ve ever tested. Go check out the images, then circle back and let us know what you think about the K-3′s image quality.



See First Shots taken with the Pentax K-3 here. And be sure to read our first impressions Pentax K-3 review for a closer look at the camera’s new features. Don’t miss our Geek’s Guide that explains in detail the K-3′s revolutionary, switchable OLPF/AA-filter technology. Stay tuned in the coming weeks for our complete Pentax K-3 review!



* Use our Still Life target images to look for detail (tone-on-tone, fine, highlights, shadows), as well as noise suppression, white balance, color accuracy and color shape retention. Use the Multi Target images to look for color handling, contrast vs. detail vs. noise, and moiré. Both targets are shot at the full range of ISOs to show how many of these factors change as ISO rises. In this instance, if you compare the USAF Resolution and Color Starburst targets in our K3hVFA_AA[2..0] Multi Target series, you can see the progressively stronger blurring that higher AA settings add, along with reduced color moiré at higher frequencies in the Log C/F target.


Article source: http://www.digitalversus.com/digital-camera/pentax-mx-1-p15130/test.html


Incoming search terms:





Pentax K-3 First Shots posted: Pixel peep revolutionary DSLR"s test images ...

Nikon D5300 is the company"s first DSLR with built-in WiFi, ships this month ...

CAPTURE, CREATE, CONNECT: THE NIKON D5300 D-SLR LETS PHOTOGRAPHERS DO IT ALL WITH CONFIDENCE


Compact yet Capable, Nikon’s Newest D-SLR Provides Photographers with an Easy Entry into D-SLR Performance with Amazing Image Quality and Built-In Connectivity


MELVILLE, NY (October 17, 2013) – Today, Nikon Inc. announced the latest addition to its legendary digital SLR lineup, the Nikon D5300. Offering the benefits of SLR performance with the versatility of wireless connectivity, the D5300 allows users to easily capture and share amazing images and videos. Though compact and lightweight, the Nikon D5300 packs an enhanced 24.2-megapixel DX-format CMOS sensor, EXPEED 4 image processing and the convenience of built-in Wi-Fi1. Users now have the power to take both frame-worthy and share-worthy photos and HD videos with one device no matter where they are.


“With the Nikon D5300, we are continuing our commitment to delivering unparalleled performance and image quality while addressing the importance of staying connected and sharing images with ease,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “By answering the need to share high quality photos, the Nikon D5300 allows photographers to capture their memories in astounding clarity and share them with family and friends moments after they happen.”Advanced Performance for When it Matters Most


Making memorable moments even better, the Nikon D5300 offers stunning image quality with sharp, crisp detail to preserve life’s precious memories. The enhanced 24.2-megapixel CMOS sensor delivers stunning images and HD videos with heightened clarity and detail due to the removal of the optical low pass filter (OLPF). From planned family portraits to candid moments, the D5300 has the performance, along with easy and intuitive features, to help users capture photos confidently, including:? Amazing Low Light Performance – For clean, sharp details even in the most challenging lighting conditions including night games and dimly lit restaurants, the Nikon D5300 covers a wide ISO range of 100-12,800 and is expandable to ISO 25,600.


? EXPEED 4 Image Processing – Nikon’s most recent image processing engine drives the rapid response and swift performance of the D5300, while maximizing energy efficiency, reducing image noise and delivering true-to-life colors.


????? Scene Recognition System – To further help users capture the image they intend, the Nikon D5300 features Nikon’s Scene Recognition System and 2,016-pixel RGB metering system to analyze and recognize the scene. Utilizing these systems results in adjustments to exposure, AF and white balance to deliver the best photo possible, whether it’s a landscape or portrait.


? 39-Point AF System – Nikon’s quick and precise 39-point AF system works with the Scene Recognition System to accurately acquire and track subjects throughout the frame, resulting in tack-sharp images. Kids too active to pose for a photo or pets chasing after a toy are easily captured in brilliant sharpness for memorable photos.


? 5 Frames-Per-Second – While using the optical viewfinder or in Live View, capture great moments that would have otherwise been missed with the D5300′s 5 frames-per-second (fps) rate.


Share Like Never Before


The D5300 is Nikon’s first D-SLR to feature built-in Wi-Fi, allowing the user to share high quality photos instantly. The Nikon D5300 sends images to the user’s smart device, allowing them to share their D-SLR quality photos through e-mail and social media. From a winning touchdown to a surprise proposal, friends and family can now see these important moments clearly captured right after they happen. The Nikon D5300 also includes built-in GPS, another first for Nikon D-SLRs. Now the user can geotag images and allow others to see where life has taken them.


Features for Creativity and Versatility


Compact and lightweight (16.9 oz.), the Nikon D5300 can easily be packed for a day trip or a planned getaway. The small body of the D5300 affords the photographer the freedom to travel while still being easy to handle and comfortable to use. In addition to being able to capture amazing images anywhere, the D5300 is also packed with additional features to promote creativity and versatility, including:? 3.2-inch Vari-Angle LCD monitor – Whether shooting above a crowd or getting low to capture the details of a flower, users can explore new shots from a dramatic point of view with the large 3.2-inch Vari-angle LCD monitor. This super sharp (1,037K-dot) screen allows photographers to easily make camera adjustments and read menus, while also allowing them to compose the photo they want clearly when shooting from high or low angles. The rotating LCD makes it easy to capture “selfies” at an arm’s length away or frame creative perspectives when capturing still photos and HD video.


? Full HD 1080p Video Capture – Create movies fit for the big screen with Full HD 1080p video capture at 60p with built-in stereo, wide ISO range for high quality videos in any light and improved full-time AF to keep the subject in focus.


? NIKKOR Compatibility – The Nikon D5300 is compatible with Nikon’s legendary NIKKOR lenses and powerful system accessories, further adding versatility and creativity.


Price and Availability


The Nikon D5300 kit with the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR lens will be available in October 2013 for the suggested retail price (SRP) of $1,399.95*. To complement consumers’ preferences, the Nikon D5300 will be available in Black, Red and Gray. For more information on the new Nikon D5300 and other Nikon products, please visit www.nikonusa.com.


Article source: http://www.designntrend.com/articles/8662/20131022/canon-eos-7d-mark-ii-rumors-specs-release-info-price-will-it-be-ideal-for-video-camera-dslr-hd.htm


Nikon D5300 is the company"s first DSLR with built-in WiFi, ships this month ...

RAF photographer"s Tornados, Spitfires and Typhoons





  • Boy Blue
    Illustration by Akio Tanaka



    Hip-hop, manga and martial arts



  • Article source: http://www.ephotozine.com/article/nikon-sue-sakar-polaroid-camera-manufacturer-23165




    RAF photographer"s Tornados, Spitfires and Typhoons